Fine Art Online Online
Description:
Fidelia Bridges (American, 1834-1923)
Violet Leaves
Unsigned, exhibition label affixed to the reverse.
Watercolor and gouache on paper, 9 x 11 1/2 in. (22.8 x 29.2 cm),framed.
Condition: Spotting at left edge, not examined out of frame.
Provenance: By descent to George C. Lay.
Exhibitions: Fidelia Bridges Exhibition, October 19-December 6, 1986, The Connecticut Gallery, Marlborough, Connecticut, #27.
N.B. Accompanied by a letter from George C. Lay regarding the provenance of this lot; as well as Fidelia Bridges, American Pre-Raphaelite, essay and catalog by May Brawley Hill, published in 1981 by Berry Hill Galleries; and Familiar Birds and what the Poets Sing of them, illustrated by Fidelia Bridges and edited by Susie Barstow Skelding, published in 1886 by White, Stokes, & Allen, New York.
Estimate $800-1,200
The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Condition requests can be obtained via email (lot inquiry button) or by telephone to the appropriate gallery location (Boston/617.350.5400 or Marlborough/508.970.3000). Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Skinner Inc. shall have no responsibility for any error or omission.
Keywords
Fidelia Bridges, Marlborough, Violet Leaves, George C. Lay, Connecticut, Connecticut Gallery, May Brawley Hill, Berry Hill Galleries, Susie Barstow SkeldingRobin S.R. Starr
Vice President
Director of American & European Works of Art
508-970-3206
Elizabeth Haff
Specialist, American & European Works of Art
Old Masters & 19th Century
508-970-3206
Kathleen M. Leland
Specialist, American & European Works of Art
Modern & Contemporary Art
508-970-3206
James Leighton
Specialist, American & European Works of Art
Fine Photographs
508-970-3206
American & European Works of Art
The American & European Works of Art department brings years of experience, connoisseurship, and knowledge of art history to bear in every fine art appraisal, evaluation, and auction.